Structure, Audience and Soft Power in East Asian Pop Culture博客來年終慶
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內容簡介: East Asian pop culture can be seen as an integrated cultural economy emerging from the rise of Japanese and Korean pop culture as an influential force in the distribution and reception networks of Chinese language pop culture embedded in the ethnic Chinese diaspora. Taking Singapore as a locus of pan-Asian Chineseness, Chua Beng Huat provides detailed analysis of the fragmented reception process of transcultural audiences and the processes of audiences’ formation and exercise of consumer power and engagement with national politics.
博客來In an era where exercise of military power is increasingly restrained, pop culture has become an important component of soft power diplomacy and transcultural collaborations in a region that is still haunted by colonization and violence. The author notes that the aspirations behind national governments' efforts to use popular culture is limited by the fragmented nature of audiences who respond differently to the same products; by the danger of backlash from other members of the importing country's population that do not consume the popular culture products in question; and by the efforts of the primary consuming country, the People's Republic of China to shape products through co-production strategies and other indirect modes of intervention.信貸作者簡介Chua Beng HuatChua Beng Huat is professor of sociology at National University of Singapore, and the author of Life Is Not Complete Without Shopping: Consumption Culture in Singapore.博客來網路書店
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- 作者： Chua Beng Huat 新功能介紹
- 出版社：香港大學出版社 新功能介紹
- 出版日期：2012/03/01
- 語言：英文
Structure, Audience and Soft Power in East Asian Pop Culture博客來年終慶
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Structure, Audience and Soft Power in East Asian Pop Culture博客來年終慶
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